|
|
Shaun Of The Dead
2004
It isn't often that a brand new film elbows its way onto this site. In
fact, Shaun Of The Dead is the first film ever to appear on these
hallowed pages whilst still showing at the UK cinemas. There is a reason
for this - usually, modern Brit horrors fall into one of three camps.
They're either:
a. Borderline British, big budget affairs which everyone who cares has
already seen (Dog Soldiers, 28 Days Later, Underworld);
b. Extremely low-budget, straight to video fan-oriented stuff with little
appeal to big multiplexes (The Asylum, perhaps
even London Voodoo - although we live
in hope);
Or:
c. Crap (Long Time Dead).
Shaun is none of these things. It's a wonderful, properly British,
properly entertaining, genre-defying slice of truly British horror, and
I urge everyone who takes even just a passing interest in the ramblings
on this site to go and see it immediately.
Seriously.
Yes, it could be described as Spaced: The Movie, but a knowledge
of (or even a liking of) that particular sit com is not required. Yes,
it could also be described as a homage (horrible word, that) to films
like the original Dawn Of The Dead (although I'd say it was nearer
to Italian splatterfest Zombie Flesh Eaters), but once again, it
doesn't alienate people who haven't got a Masters Degree in the work of
Lucio Fulci.
This is a film which knows that the main reaction by any sane person to
the really gory zombie films is to laugh. So if you're already laughing
when the entrails get pulled out (and they do), then all you're going
to do is laugh more. Because Shaun is not just a balls-out zombie
film, of the kind never before made in this country. It's a very funny
film as well, and it's funny because everyone sitting in the cinema knows
that if they were in that situation, they'd choose a cricket bat
as a weapon, rather than something with a sharp edge. They'd stop
and ask if a zombie they'd just run over was okay. They'd even
probably get half way down their own street on a Sunday morning before
noticing that the locals were even more dopey than usual. Because we're
British, and it's what we're like.
So, for one of the few times in recent history, what we have is a properly
British horror film, despite its Euro-flavoured roots.
What's more, it's an ensemble piece as well, bringing to mind Brit classics
like Theatre Of Blood. Like 'em or
loathe 'em, Shaun presents us with a comedy cast which is going to be
seen as a "wow, how did they get all them into the same film?"
dream showing in years to come. People from Black Books, The
Office, The League Of Gentlemen, Little Britain, Ever
Decreasing Circles, and of course Spaced are all there on the
big screen - battling their way through hordes of horribly realistic zombies.
Shaun is everything a horror film should be. No, scratch that -
it's everything a British horror film should be. Funny, scary,
touching, and nasty. Even the special effects (not a single use of CGI,
by the look of it) are nothing short of perfect. It even uses my favourite
Queen song during the funniest scene.
All I can hope is that this film really can kick-start a great British
horror revival, by showing film makers in this country that they don't
have to make the UK answer to Jeepers Creepers or Jason X.
They can use the skills which only usually get ploughed into stuff like
Love, Actually to produce a horror film which everyone, even my
horror-hating wife, will enjoy. Just like Shaun Of The Dead.
|
 |
|